Jenna Jameson The Measure Online

About Youth Symphony Concert Municipal

a gala night. In the public are from children that sometimes throws a cry from the arms of their mothers, to people dressed in impeccable suits gray hair black.

Outside is parked vehicle of the year, and scrap the 1980's.

is about to begin the concert given by the National Youth Orchestra of the City of Guatemala, who plays Mozart (Concerto for piano and orchestra, K. 28) and Dvorak (New World Symphony). The guest pianist is the Italian master Giuseppe Giusta.

is the night of Thursday 22 October. The room Efraín Recinos of Miguel Angel Asturias Cultural Center has occupied most of its 902 thousand seats.

Before submitting a video is projected informs us: "7 out of 10 children with cancer can be saved." The concert will benefit the foundation "Help me to live" (www.ayuvi.com.gt). Entering

youth orchestra (Applause). Are about 80 students from the School of Music, which is installed in the old Post Office building, a beautiful building located in the Historic City Center. Take their places, refine, browse sheet music, give glimpses of the staves, cough. Suddenly, the director enters (applause), Bruno Campos (28 years). After greeting, up the baton and everything is completely silent (almost complete, then remember that there are children). He drops and begins the tide and the storm. Will

academic music critics who explain-o-tangle the reader with his assertions. Mine, which gladly share, is something that caught my attention and I describe below.
is an orchestra that has just three years after being founded, the musicians that comprise part of a municipal program, where classes receive pay Q25 per month (about $ 3 a little over 2 euros per month). So are apparently young, inexperienced, so that perhaps one could believe that they are mere amateurs interested in putting together an orchestra. Not so. For starters, violins, cellos and violas, basses, trumpets, flutes, oboes, ie everyone in the orchestra-up of drums, "exudes an exceptional physical joy, move their bodies while running, almost dancing.

In our tropical country, so do not always have happy, relaxed musicians, but some are as stiff as the rule of a school teacher. I emphasize that only some, because it would be unfair to describe as rooted trees many of our great musicians. Furthermore, I clarify that our symphony orchestras, chamber and the like are, of course, much higher level than a youth orchestra newcomer, but there is something in this very beautiful and is a tide, are waves of vitality, is the movement of bodies as they play. This orchestra-energy dance with a pardon if my comparison seems exaggerated, similar to having certain European orchestra, as Berlin Philharmonic. I'm not saying

obvious joy ensure better implementation, but the musicians are able to share swings generating much emotion.

The curriculum director Bruno Mountain owner can be tracked on the Web, but I will summarize, with gusto. He made his debut as a conductor at 14 years of age participated in orchestras in Venezuela, also in the Latin American Youth (directed no more and no less than by Claudio Abbado) and has received workshops with teachers of the Berlin Philharmonic and the Bamberg. Probably still not enough, but it's pretty much as normal, and this young director makes fly to the orchestra. The paste made of jumps along with it. Leads to an overheated power tools safely. The night ends with a sweet and happy danzón. In the room, as said earlier, there is a varied audience and that is because ev9identemente assist the families of the young. Mothers, cousins, uncles, grandparents and neighbors, plus there is foreign (many Italians, perhaps by the guest pianist.)

What we are doing with this program is great city for art and culture. I do not doubt that this young director will talk about in the very near future, and so does the orchestra.



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Orange County Florida Recorder Of Deeds

Upon closing of Metropolis Contemporary Angel cultural radio program Elijah / A Matter of Culture "shameful meanness

This week (the third of October) was closed on Contemporary Metropolis program that led, in state-run Radio Faro Cultural five years, the writer Ángel Elias.

Given this news, one wonders why it is often cut off the head of those who eagerly come to the surface to collaborate with others.
It's crazy to prevent the advance of those honored with tenacity make cultural contributions and even spend the money of their own pockets. Angel Elias

published

more than 250 interviews with musicians, singers, writers, painters, actors, theater directors, in short, many of the most important artists and some foreigners. Elijah
not only did not charge a penny, but also became his own to travel by bus from his native Suburban San Martín Jilotepeque. Many times he was besieged by student and labor commitments, but never went off the air. It was an amateur interested in look at the expense of others, their intentions were not petty, his was pure and simple, yet effective and extremely valuable documentary.

Within 10 or older, who wish to be aware of the task cultural country, should make an obligatory stop in his interviews you will hear the voice of people like Dante Liano, Hadjidodou Tasso, Maria Teresa Martinez, Gustavo Palma Murga, Guillermo Paz Carcamo Nahual Alux members, or the last that came out air: the great painter Miguel Angel Perez. I could go on quoting here hundreds of names.

But on Saturday just past, who we used to tune the program we have a musical segment. He did not even indicated that they would not publish his last interview, which made Jesus Fernandez, Latin American Book, from Asturias, Spain. And he listed nothing more and nothing less than the Chilean Luis Sepulveda ( the author of The Old Man Who Read Love Stories ; Name torero; Pinochet's Folly, etc.)

words , the program expanded. Learned to move elsewhere in the world and oxygenating the slumbering national cultural waves. More

on Monday, when Elijah came to record, the director of Radio Faro, Antonio Juarez, called his office to inform him that his program was closed. The reason? Angel Elijah had been "winning" too much prominence and even seemed that he was "representing Radio Lighthouse."

role "Winning is winning friends? Is being interviewed in the media? Are you bothered that the five-year director of the transfer were concluded by the Cultural Center of Spain.

Win "role is that he was invited to a breakfast by cultural promoters? Is that a threat be appreciated by those artists? Are these the parameters of cultural representation that it considers important the director of an institution as impressive as it is or should be, Radio Faro Cultural? Angel

Elijah deserved more than a finger pointing toward the door. It's embarrassing.
In Guatemala, with the first rains in May, usually spring from the soil to grow new green projects, the land is fertile, cast sheets, but at any moment anyone looks in his truck to let him fall on rocks and trash.

Recent interviews conducted by Angel Elijah can be heard in www.arteradial.blogspot.com

Or if you want to send thanks, or condolences, "this is your email address: culturaradio@yahoo.com


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Dbz Doujin Collection

or entertainment? Mercedes White and Patricia

In some newspapers in Central America and the world-cultural journalism is seen as a well decorated vase or hinders.

cultural journalist, on his part and in many cases, is considered the day idle, the drinks being with painters who writes a newsletter on a guitar recital and one on the birthday of Saramago. Is seen as the responsibility to remind birthdays of famous people ... In its excesses, is the cat that sits on the couch and bristles with an opera. Moreover, many journalism students choose to do their internships in cultural sections because they think there will win easily.
fact, are the same cultural journalists, many times, who have set the pace of all this, since the ancient times when they were recording his notes on stone plates. The reason is that it always has a vocation. The journalist, often, not to become hunting dogs news crushed and prefer to make real and sovereign enter the world of arts journalists lazy and glamorous.

I can not imagine a journalist in those sections that do not like attending an art gallery, a rock concert or a market. And is that the cultural journalism is more than watch ballet. Is a strong science and passion that carries a monstrous need to eat as seen, heard and swallowed it greedily written return and be a pop concert or acoustic guitar. These and other details reminded us of one of the best journalists in the world's cultural, Hispanic, his name is Jesus Ruiz Mantilla, writer and journalist with El País Semanal, who attended with us, some journalists cultural Central American and Caribbean- Last week a workshop on the subject, in Costa Rica.

Interestingly, in our countries culture is still seen as a segment made by-and-the elite. Some dinosaurs still consider that hip hop and mariachis are not cultural issues. Fortunately, it is increasingly absurd. Entertainment and culture are merging in a while, like it or not.
many years ago when there was no Internet, it was decided that the difference between fine arts and music in the style of what today would be Los Tigres del Norte, for example. That has changed. But watch out, not a matter only of mixed information on a page to be fashionable. It is not just a matter of putting a dog gossip singer more valuable information that was operated slut tits and an essay on a book or Theodor Mommsen Böll.

Al periodimo cultural need, many times, common sense.

Today, cultural journalist should take seriously as a chronicle reggaeton as a heavy metal concert or opera.

Central America is almost always the last to set changes. First look how they're doing in other places before taking the plunge. Whether from fear or caution, it remains the reason why some are masters and other supporters.

These days, cultural journalism is of aesthetic and anthropological extensive discussions. A theorist of great importance, Lázaro Israel Rodríguez-Cuban living in Cuba, was present and opened fire the discussion about the power companies already have on media companies. The blogs, citizen journalism and other sources of information takes great strength, fortunately.

Rosa Jiménez Cano's English journalist periodismociudadano.com integral Madrid since its foundation (must be added that is a pioneer in the field, at least in the English-speaking citizen journalism) said its way to coordinate and implement the period from country. Incidentally, I believe that both the Cuban and Madrid, are poles apart on the assessment of power and hegemony over citizen journalism, which is healthy (who wants to deepen on their views, you can easily track them on the Web).

Yet another thoroughly familiar with the subject and the sociological aspect is the clog Rafael Cuevas, who was present and reminded us that there is falsehood in covering culture from traditional views and hegemonic. Painter and writer, the Guatemalan is trained in Romania and living in Costa Risa for some 30 years.

important thing about cultural journalism, in any case, be aware that those who exercise do it with the same passion that puts a carpenter to show the best angles of the best furniture. And any reader will know when you forward to a newspaper with vocation or who got into the cultural periodimo just because they served in economics or politics, and wanted to go for a walk in the theaters. Cultural journalist has a strange vocation for digging in front, side and behind the scenes.

Greetings.

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