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The age of the plum / Anthropologist

Juan Carlos Lemus

time through life, relentlessly, through generaciones.Solo there a way to restrain him. When art is so petrified even through their fantasies. This is when the viewer marvel at a painting by Canaletto, with a Roman construction stage or before a well constructed building.

is the case, the latter in the age of the plum, the work of the Aristides Vargas Argentine acting these days, two women of great experience. The White Mercedes Cuban and Guatemalan interpret Eleonora Patricia Orantes, Celina, grandmothers Mary and Gumersinda, Aunt Adriatic, Francisca and Blanquita. Girls, young or old, Women are all bolted to a routine social and psychological.

We are facing a high-drama textual beauty, entertaining, funny and sad. We are faced with two actresses who have extraordinary technical and aesthetic possibilities.

The age of the plum is a starting point the moment when Eleonora (Oran) describes Celina (Black) details of his dying mother. From that moment both evoke the other women of her family. Well

value of this show both the text and the excellent performances, as well as visual design. The scenery is a creative device that gives new shades to the shares. Time and space were fitted with codes (rings bicycles, for example) that far from star, and even further than just decorating, copulate with the text perfectly. So does the wardrobe. But the extraordinary, we repeat, are the performances. Experienced to the hilt, and White have that Infernum Orantes, in addition to enough gold - or screening-with which to build the piece. Mercedes

White is the owner of a skill able to realize the endless beauty which the work is semiological. Seeing her Cuban understand why this is delivered to body and soul to the theater, has founded the group, has been a director but, above all, is the great actress whom we see every moment sprout on the boards and act with unbridled conviction mostrándonoslos characters back and forth, front and inside. White serving up with the thumbs of the feet (literally) when it plays the crazy aunt. This, perhaps imperceptible, is one of those small details that are like a lock, but they open the huge gates of creativity.

actress Patricia Orantes is a target. Knows the terrain like the back of his hand. Although each play is always new, like a sunrise, we know that she has the flashlight and per diem for the road. Roughly speaking, if White gets the lock, put the key Orantes. But best of Orantes is that even when it acts with the guidelines clear, suddenly is a hunter who is thrown into the mud; surprising decision to open new avenues of expression. Creative freedom, his poise and control that is clear about its characters are the best mix.

I recommend this one hundred percent play. I guarantee that at the end applaud with great satisfaction.

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If you dare to dream latitudes and avoid the unhealthy
epithelia
banish timers stupid
chronographs would be able to pass through those walls rational

you're so clumsy stifle
in material dimensions.

would see, you see, anticipated in the present to see how the brain
tangle you with thoughts
longitudinal
fires That my heart you breathe easier today
be sighing with memories of my present.


time would then have no clocks. No empty ancestral

the hours, days, seconds
happen they happen without
when we forget to remember what happens to us when we fill
eyelids and looks
lukewarmness have eyes full
in outstretched hands that caress.

desert sands transmute
clear water lakes like the moons of your breasts are illuminated as if naked soles
your waist all
urban clothing every morning, afternoon, day and night
you turn
kissing fireflies in our horizons of tenderness.

if you decide to blow my latitudes and evade the unhealthy
epithelia timers
desterrararías chronographs
stupid and so my word might
indefinite future through these walls I also rational

suffocate us both when we cornered the coarse material dimensions .

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CAMILO and Phaedra, who honored a vital and unique moment





E squinado unusable PROPERTIES


ancient footprints In your hands you come back to stop me
ask if it's the age that separates us in this
or the future course of your legs.
back as soon as your natural natural
to explain that only today, is important. Needless to seek

awkward explanations to the future of desire.

desirable if they are on the table our bodies, horizontal
drunk or sober-looking epithelium.
consent. Naked or clothed
be natural.
That's all that matters. That one number.
is so certain that certainty. Tautological.
as impossible to measure the delivery
when we allow ourselves to be able to enjoy without measures
love and passion. Inventing in carousels


supported the seven senses.
in olive and olive flavors Arabic
your nipples. Gypsy
My lips with your mouth
in crimson apple.
In the face acidity of limes and lemons green
tickling between his teeth.
snails in the round ears of warmth. About
dryness of our skin, rich in wetlands
all sound of the sea unleashed.

I say all this matter

only when finished this summer in the desert.
But especially when the green legs
we turn gray in his gait and lost citizens
neutral
looks useless corners of the houses ...





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