Juan Carlos Lemus
time through life, relentlessly, through generaciones.Solo there a way to restrain him. When art is so petrified even through their fantasies. This is when the viewer marvel at a painting by Canaletto, with a Roman construction stage or before a well constructed building.
is the case, the latter in the age of the plum, the work of the Aristides Vargas Argentine acting these days, two women of great experience. The White Mercedes Cuban and Guatemalan interpret Eleonora Patricia Orantes, Celina, grandmothers Mary and Gumersinda, Aunt Adriatic, Francisca and Blanquita. Girls, young or old, Women are all bolted to a routine social and psychological.
We are facing a high-drama textual beauty, entertaining, funny and sad. We are faced with two actresses who have extraordinary technical and aesthetic possibilities.
The age of the plum is a starting point the moment when Eleonora (Oran) describes Celina (Black) details of his dying mother. From that moment both evoke the other women of her family. Well
value of this show both the text and the excellent performances, as well as visual design. The scenery is a creative device that gives new shades to the shares. Time and space were fitted with codes (rings bicycles, for example) that far from star, and even further than just decorating, copulate with the text perfectly. So does the wardrobe. But the extraordinary, we repeat, are the performances. Experienced to the hilt, and White have that Infernum Orantes, in addition to enough gold - or screening-with which to build the piece. Mercedes
White is the owner of a skill able to realize the endless beauty which the work is semiological. Seeing her Cuban understand why this is delivered to body and soul to the theater, has founded the group, has been a director but, above all, is the great actress whom we see every moment sprout on the boards and act with unbridled conviction mostrándonoslos characters back and forth, front and inside. White serving up with the thumbs of the feet (literally) when it plays the crazy aunt. This, perhaps imperceptible, is one of those small details that are like a lock, but they open the huge gates of creativity.
actress Patricia Orantes is a target. Knows the terrain like the back of his hand. Although each play is always new, like a sunrise, we know that she has the flashlight and per diem for the road. Roughly speaking, if White gets the lock, put the key Orantes. But best of Orantes is that even when it acts with the guidelines clear, suddenly is a hunter who is thrown into the mud; surprising decision to open new avenues of expression. Creative freedom, his poise and control that is clear about its characters are the best mix.
I recommend this one hundred percent play. I guarantee that at the end applaud with great satisfaction.
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