Hacking I-catcher Cameras

Game Mariela Romero and foul play Ibargüen Home

The work is a segment in the lives of two sisters who claim a relationship chaotic and destructive.

is a drama entitled Game, the Venezuelan Mariela Romero, played by the Guatemalan Sofia Arevalo (Anita) and Rebeca Vargas (Ana), directed by Venezuelan Jany Campos.

Anita, in a wheelchair, pretending to immobility in the legs, while Ana simulates the bends, even a whip.

this perspective, the picture seems just a repetition of the cruel reality in which our violent die and suffered aquesta mezquinoamericanos countries. But the task of artists is, precisely, to take that reality and transform. That is, sometimes have to make a delicacy of a rotten tomato. Both

as cuts dramaturgical performances are what give something better than reality. Mounting is fun, the audience is given a bath of black humor. The young actresses playing the text with graceful skills. It is fair to separate their properties.

Sofia Arevalo is expressive, an actress cream, is one of those people, probably very shy in real life, but that flash like lightning on the scene. I could not come under such ease, that his spontaneous impulse. Sofia handles anger, grief, sadness and power of their characters with plausible and infectious enjoyment actantial. Rebeca Vargas has technical and self-confidence. Is an actress who smugly walks without hesitation, on the stage. Nothing shy, sets the pace in groups-in this case, its parigual- and that is something that took advantage of the director, who for this show decided to improvise a circular theater, Casa Ibargüen.

Fields has had the wise, in this and other occasions, experiencing unconventional forms of leadership. Chosen for Game the actresses were surrounded by us, the viewers who sincerely applaud their impressive performance.

last show I attended on 21 November, but, according to the director, the work will go on stage in January, while in another room.

Something unfortunate happened to this theater group the night of 20 November. The function was canceled because-well reported by the producer at the entrance to those who were arriving, the family decided to Ibargüen, at the same time, a fellowship there. Cancel

a function for a family celebration is a lack of appreciation of art, is a serious lack of respect for the artists and the public. Worse still, if House Ibargüen is given in usufruct to the Municipality of Guatemala to serve as an artistic space, there is abuse to a family party, be it family owned, because that family or receives money in return, thanks beneficial ownership, or pledged his word, and both money and honor have weight-or would be.

should also consider that maybe it was the family Ibargüen the direct cause, but the administration did not respect Ibargüen House undertaking. Who heads the cultural center was not tall enough to explain to the family: "Sorry, there is a play, it is not possible to use the space," and the way remind you of your status as the remainder beneficiary. And if they did, then was Ibargüen family that broke his word and the rules of usufruct? While

Game is a registered drama within the aesthetics of cruelty, the game was unfair Ibargüen house, missing the word the actresses and the audience is playing dirty.

.
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Lucille Chung and Alessio Bax / Review of a concert for two pianos

How many keys are needed to touch the inner essence of being human?
is needed by a piano well reviewed by the performer. And if there are two pianos, the thing can reach almost extra sensory dimensions.
In a concert hall (two pianists interpret Russian composers), you have these options:-yawn and doze
feigning deep commitment.
-Close your eyes and feel in your room listening to a CD.
-Cross leg with frequent changes to lighten the weight on one buttock.
-receive with every sense the vibes flowing, a result of typing.


The Italian Alessio Bax and Lucille Chung Canadian Bravissimo closed the 2009 Festival of the Arts Organisation Francisco Marroquín, a concerto for two pianos.


Ever heard that playing Russian and Polish composers is very difficult, because their works have a musical architecture is quite complex and requires much technical skill to open his heart to the piano.

any pianist not by professional it is, comes alive with one of these threads woven in which is a millisecond trip and look like a clumsy. Sometimes, pianists prefer something more relaxing, something soft, something less wobbly to walk a tightrope.


know if it is true that that the Russian and Polish architecture is more complex than most Western popular compositions. But I doubt that the couple Bax-Chung whole soul was in the interpretation. One that requires not only technical skill and a lot of oil on the fingers, but also a spiritual depth to climb and, with so much energy, to the mountaintops of musical notes and then decline, sometimes a single pull-at times slowly, " but still playing as if they were living in each composition.

She, sweety, panting fast vibration on the keys, creating swirls and gusts living "somewhere in your notes still walk, wandering in one dimension because the music born of a piano never dies. She generates the sharp chords, playing at high speed levels of the building complex that left written Lutoslawski, Stravinsky, Shostakovich and Rachmaninov.

He, a master pianist of great ease and elegant bar, click on the consistent severe shaking the air between them, two pianos facing each other, separated by a bouquet of roses.

composers who played Lucille Chung Alessio Bax and left specific orders; accommodated note after note on the staff for the construction of their buildings remain in the hands of any guy. With almost cryptic instructions to prevent the desecration, wrote what is now beautifully executed Italian-Canadian couples: the complete ballet Petrushka (Stravinsky), the Concertino for two pianos, Op 94, Shostakovich, and Suite No. 2 for two pianos, Op 17, Rachmaninov.
staves leaves bursting flying more demanding sharps and flats.

And the music is created, curled, impetuous, panting. Chung almost dancing while playing the piano, and Bax received with great delicacy of her movements, transforming into anger and serenity. There
each if you sleep, switch legs on the chair or absorbed. These musicians have today opened every crack in front of the staff and throw us into the abyss.


(Alessio Bax won the Avery Fisher Career Grant 09, presented by Lincoln Center in New York, also the First Prize of the famous Leeds International Piano Competition, and First Prize at the Hamamatsu Competition, awarded in Japan.
Lucille Chung First prize is Igor Stravinsky Competition Silver Medal and International Franz Liszt Competition held in Weimar, Germany. The concert was held Thursday 4 November at the Auditorium Juan Bautista Gutierrez, Arts Organization par Francisco Marroquín, Guatemala City).




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Ejaculating After A Brazilian Wax

died Philosopher

has killed a great thinker. How many more must die?

I think in our country we have failed to hear some important voices pointing to the horizon. will future generations that must know the work of great intellectuals such as the recently deceased Peña Jaime Barrios (Guatemala, 1922 - Stockholm, Sweden , 2009).

Author of more than 20 books and numerous articles on psychoanalysis, education, anthropology, art and philosophy, has an extensive curriculum that would take a few pages of the newspaper. Just write a couple of facts: Doctor of Philosophy specializing in psychology, with studies in universities in several countries, was a diplomat for 18 years, during which folk festivals held abroad, organized conferences, some of which were once dictated by Miguel Angel Asturias, collaborated with the arrival of Guatemala's National Ballet at the Teatro Colon in Bogota, and the Festival of Communities Indians in the Teatro San Martin in Buenos Aires.

In August 2003 I interviewed, and I quote one of your answers.

JCL: Why did you decide to live outside of Guatemala? JBP

"family and professional circumstances, but this does not mean that a people forget that runs through my veins like tradition, birds singing in the rain, flying toucans, forest murmurs among pyramids, inns, processions and the voice of our northern dawn. "

Very little we can do from the media by drawing attention to the great intellectual and Barrios Peña. If anything, some mention, some interviews and some persistence in memory. But almost no interest that they show the universities, the private and public-art schools and teachers' bodies.

is often blamed the lack of support for artists, and almost always a reasonable complaint, as journalists often do not happen to write two lines of ad or chilled as a newsletter, "but is even more reprehensible the disdain and indifference to demonstrate their academic colleagues and the artist.

As Barrios Peña, writers, artists, researchers, musicians, theater actors who have 20 or 50 years of living in Switzerland, Italy, Mexico, France, Germany, Japan, USA and other countries.

Do they have to die to be remembered? What university know Carlos Solorzano, the illustrious writer who lives in Mexico and whose work is 10 times higher than that of Monteforte Toledo? "And I say no interest in provoking its devotees, because I only interested in explaining the importance of the unknown. What
Humanities deans have made contact with the leading actor Mario Gonzalez instructed hundreds of artists Europe? Have you heard of the painter Jacobo Rodríguez Padilla, who lives in France? Were humans to see the marvelous performance of actress Carmen Samayoa, when he came for a few days in Guatemala? Do our intellectuals that one of the best violinists in the world is Henry Raudales? Do they have heard of Luis E. Rivera, Antonio Cosenza, Abel Solares, Julio Cambranes, Francisco Nájera, Rina Lazo, Erwin Schumann, etc.?

How many philosophy students, teachers and historians that matter know the work of Dr. Barrios Peña? Do they know, by chance, he would gladly come to chat students with the powers-came to their land from time to time, and would have given lectures without any financial interest?

The philosopher's death reminds us that "it is a breath of life" but also that we should turn our eyes to many Guatemalans who, like him, have well earned wide recognition.

And not only those living abroad, remember, by the way, his book Heirs of the spirit of Kukulkan (Artemis Edinter), an essay on Guatemalan plastic artists (Carlos Merida Goyri, Grajeda Mena, Rodriguez Jacobo Padilla Dagoberto Vásquez, Abularach, Recinos, Roberto Cabrera, Quiroa, Magda Eunice Sánchez, Luis Diaz, Elmar Rojas, Ramón Banus, El Tecolote Guillermo Ramírez Amaya and Erwin).

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