The central figures were the dancers of the Bolshoi Anna Antonicheva ( Nikiya) and Vladimir Neponozhniy (Solor). He looked with flashes of their own, in addition to the guests, the Guatemalan dancer Claudia Garcia (Gamzatti).
To be fair, the third act faltered due to the unfortunate hesitation that had two or three of the 20-shadow-dancers on stage. The balance failed them broke while the white box (for the costumes) and elegant (for the strong position) that imposed its director, Amalia Selva. During those seconds must have felt as a waiter when you carry the finest cuisine in the serving tray composition, but it falls on the head of the retainer. It was like a dissonant clarinet escaped from a well-tuned orchestra. But not more torment, since the best cooks in the sauce they are watered, they say. In addition, prevailed rigor, accuracy and freshness of all in three acts.
We will move at this point our camera at three stars flashing. First, the Russian Vladimir filled Neponozhniy expectations. A great dancer that at times seemed to fly, with great firmness when taking on the top to Anna Antonicheva or rotate it. Both alone and in the Pas de deux showed why he is one of the central figures of the Bolshoi.
Dancer, meanwhile, acopladÃsima and autonomously, according to requirement, was conspicuous by his physical courage. An elegant woman. We miss her, yes, more joy on his face. And we do not mean a joy to interpretation, but the glow that flows when the artist is grateful sinks in the waters of art. His companion, however, satisfaction flashed whenever he appeared on stage. Detail, far from being a vulgar attempt to show sympathy, is fundamentally integral in this and other artistic disciplines.
The second frame points to Claudia Garcia. Is a dancer of remarkable self-confidence, his self-assurance makes him look arrogant, but natural. His night was great. We suspect the pressure that might mean for her, before the show, being on stage with a pair of dancers from the most renowned ballet company in the world. But it handled like a fish in water. Nothing timid, on the contrary, quiet and strong, made with high accuracy some of the most expensive classic steps. Claudia was the bayadera of the night leading the way within the work, but the derivative of the word - "Devadasi", "bailadeiras", "Bayadere" or radiant dancers.
Now, we focus on Sonia Mark, Nancy Urla, Adriana Valdez and Ligia Lopez, a unique quartet. Although for individual participation exhibited some nervousness over its accuracy group was a beautiful rhyme. Their performances prove a careful training and honest devotion to accuracy, they also demonstrated the second variation, comprising Claudia Yax, Gruschenka Sandoval, Zoila Vasquez Karla Dardón.
Dancers from the Bolshoi came to the country thanks to the Russian Embassy in Guatemala, which thereby contributes to blow the fires that fuel the flames of the National Ballet deserves to be visited by you, on Saturday 5 or Sunday September 6, when present Othello.
(My Other Blog, welcome as to: The Age of the Bumblebee: http://www.juancarloslemus.com/ )
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