Dance is the passage of a vessel between straight and curved lines, only the waves are so beautiful.
ended with the presentation of Othello, the gala season of 2009 the National Ballet of Guatemala. This work is a mire of jealousy and slander, a lust gorge ending with pain and death. Interpretive force subjected to purifying fire requires the skills of any dancer. It is a work inspired by the drama of William Shakespeare, choreographed by Eddy Vielman teacher who has shown throughout his career, a demanding artist, great attention to detail, and his outstanding career as a dancer as well as refined master choreographer.
Ballet Although he was worthy of praise throughout this season, there are three aspects that could be improved. First, is a notorious lack quantitative dancers (we emphasize: men) in the National Ballet. And some of them, frankly, should lose a few pounds. A bulky torso and belly are not good allies of a discipline that requires willful tyranny-with-breaks and bold returns.
Second, the dancers they lost their balance on the scene in La Bayadere, and he lost count and left the group in Othello, should remember that although nothing in the scene can be so severe, can hope to complete cleaning and the total concentration, because other countries would face tigers and snakes (both public and critics) that tear with great joy any hesitation. Third
. I refer to the visit of two Russian dancers. I already wrote about them, but would like to expand a little. La Bayadere glowed with three stars. One was Vladimir Neponozhniy dancer, the other was that of the Guatemalan dancer Claudia Garcia, and the third, eight dancers were two variants of four each. More clarification that the Bolshoi ballerina, Anna Antonicheva, seemed smart, physically bold, but did nothing extraordinary. Ballet did not perform any step that could make all Guatemalans. And I have left the impression that, in fact, made a number to third world countries. Rather cold face, there seemed to enjoy what he did. And would like to see at the Metropolitan Opera House with these modes. Your participation in La Bayadere was as if he had come to the room directly from the airport to meet a commitment.
good thing, by the Ministry of Culture, is that, as I have understood, paid for tickets of admission of the public who attended La Bayadere for prices to see the Bolshoi dancers were not very high.
Finally, just as the ballet ended with a resounding Othello, I would conclude with the participation of the first dancer Anoushka Devaux. She is an artist of deep commitment on the stage, versatile body and regal presence. Both La Fille Mal Gardée as proved Othello possesses a style that dominates and covers the entire stage. His colleague, Benjamin Hernandez does a good job with it. It should be a great difficulty for the force receiving delicacy, grace and return to power bay in the body of a woman who not only dances but also black flies among their own constellations.
(My Other Blog, welcome as to: The Age of the Bumblebee: http://www.juancarloslemus.com/ )
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