time through life, relentlessly, through centuries and generations .
sweeps time people, in the midst of violent storms, but also creates quiet and lethargic horizons. Only there is a way-immobilizing every animal, domesticated or not, has its limitations. When art is so petrified (even through their fantasies). This is when the viewer marvel at a painting by Canaletto, with a Roman construction stage or before a well constructed building. This is the case, the latter in the age of the plum, the work of the Aristides Vargas Argentine acting these days, two women of great experience. The White Mercedes
Cuban and Guatemalan interpret Eleonora Patricia Orantes, Celina, grandmothers Mary and Gumersinda, Aunt Adriatic, Francisca and Blanquita. Girls, young or old, all women are screwed to a social routine and psychological.
We are facing a high-drama textual beauty, entertaining, funny and sad. We are faced with two actresses who have extraordinary technical and aesthetic possibilities.
The age of the plum is a starting point the moment when Eleonora (Oran) describes Celina (Black) details of his dying mother. From that moment both evoke the other women of her family. Well
value of this show both the text and the excellent performances, as well as visual design. The terrain used for this show is a creative device that gives new shades to the story and the characters' actions. Time and space were endowed code (Rings of bicycles, for example) that far from star, and even further than just decorating, copulate with the text perfectly. So does the wardrobe. But I repeat, are special proceedings. Experienced to the hilt, and Oran White Infernum have that, in addition to enough gold - or screening-with which to build the piece. White Mercedes
owns a skill as natural as acquired, disciplined, fierce grace, which does realize the endless beauty which the work is semiological. Seeing her Cuban understand why this is delivered to body and soul to the theater troupes founded in Guatemala has been director of several very good players, but above all, is the great actress whom we see every moment sprout on stage and act with unbridled conviction mostrándonoslos characters back and forth, front and inside . White serving up with the thumbs of the feet (literally) when it plays the crazy aunt. This, perhaps imperceptible, is one of those small details that are like a lock, but they open the huge gates of creativity.
actress Patricia Orantes is a target. Knows the terrain like the back of his hand. Although each play is always new, like a sunrise, we know that she has the flashlight and per diem for the road. So say, if White gets the lock, put the key Orantes. But best of Orantes is that even when acting with very clear guidelines, suddenly is a hunter who is thrown into the mud, across swamps and go at night. Patricia Orantes surprising decision to open new avenues of expression. Creative freedom, his poise and control that is clear about its characters are the best mix.
is a work that the audience applauds with great content. No wonder: there have been so well planted scene actions capable of provoking a domestic joy.
(My Other Blog, welcome as to: The Age of the Bumblebee: http://www.juancarloslemus.com/ )
sweeps time people, in the midst of violent storms, but also creates quiet and lethargic horizons. Only there is a way-immobilizing every animal, domesticated or not, has its limitations. When art is so petrified (even through their fantasies). This is when the viewer marvel at a painting by Canaletto, with a Roman construction stage or before a well constructed building. This is the case, the latter in the age of the plum, the work of the Aristides Vargas Argentine acting these days, two women of great experience. The White Mercedes
Cuban and Guatemalan interpret Eleonora Patricia Orantes, Celina, grandmothers Mary and Gumersinda, Aunt Adriatic, Francisca and Blanquita. Girls, young or old, all women are screwed to a social routine and psychological.
We are facing a high-drama textual beauty, entertaining, funny and sad. We are faced with two actresses who have extraordinary technical and aesthetic possibilities.
The age of the plum is a starting point the moment when Eleonora (Oran) describes Celina (Black) details of his dying mother. From that moment both evoke the other women of her family. Well
value of this show both the text and the excellent performances, as well as visual design. The terrain used for this show is a creative device that gives new shades to the story and the characters' actions. Time and space were endowed code (Rings of bicycles, for example) that far from star, and even further than just decorating, copulate with the text perfectly. So does the wardrobe. But I repeat, are special proceedings. Experienced to the hilt, and Oran White Infernum have that, in addition to enough gold - or screening-with which to build the piece. White Mercedes
owns a skill as natural as acquired, disciplined, fierce grace, which does realize the endless beauty which the work is semiological. Seeing her Cuban understand why this is delivered to body and soul to the theater troupes founded in Guatemala has been director of several very good players, but above all, is the great actress whom we see every moment sprout on stage and act with unbridled conviction mostrándonoslos characters back and forth, front and inside . White serving up with the thumbs of the feet (literally) when it plays the crazy aunt. This, perhaps imperceptible, is one of those small details that are like a lock, but they open the huge gates of creativity.
actress Patricia Orantes is a target. Knows the terrain like the back of his hand. Although each play is always new, like a sunrise, we know that she has the flashlight and per diem for the road. So say, if White gets the lock, put the key Orantes. But best of Orantes is that even when acting with very clear guidelines, suddenly is a hunter who is thrown into the mud, across swamps and go at night. Patricia Orantes surprising decision to open new avenues of expression. Creative freedom, his poise and control that is clear about its characters are the best mix.
is a work that the audience applauds with great content. No wonder: there have been so well planted scene actions capable of provoking a domestic joy.
(My Other Blog, welcome as to: The Age of the Bumblebee: http://www.juancarloslemus.com/ )
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